A LEGO campaign where a child’s drawing comes to life in bricks: on billboards, on screen, online and on the street.
- Brand
- LEGO
- School
- IED Firenze
- Advisor
- Prof. Enrica Ficai Veltroni
- Year
- 2022
- Team
- Saber Naeemi and Damini Rathore
- Status
- Campaign concept
- Deliverables
- Three 6 × 3 m outdoor posters · 30-second film with storyboard and sound design · interactive social posts · three guerrilla installations · 3D brick models
- Tools
- Adobe Photoshop · Adobe Illustrator · Adobe After Effects · Adobe Premiere Pro · Adobe Audition · Mecabricks · BrickLink Studio
The brief
Not every brick is a LEGO brick.
LEGO leads construction toys by so much that its name has become the word for all of them, and the shelves are full of copies, many made to a lower standard. Parents and gift givers often can’t tell them apart. A child whose first build falls apart may blame LEGO and never come back to it.
The brief asked for a campaign that sets LEGO apart by its own strengths, never by knocking the competition, under the line “Rebuild the world.” It speaks to parents of children aged 5 to 10, and to the grandparents, aunts, uncles and friends who buy them gifts. One rule was fixed: only bricks. No minifigures, no themed boxes.
The idea
Half drawn, half built.
After the lockdowns, families wanted ordinary things back: time together and the world outside. The campaign calls them small joys. A butterfly over a field. An elephant in the forest. A dolphin jumping out of the sea.

Drawn · pencil on paper

Built · bricks only
Every piece starts the same way. A child draws a small joy in pencil, and LEGO bricks finish it. The drawing is the idea. The bricks make it real, something solid a child can hold, and that is the difference the brief asked for, shown rather than said.
Experience small joys.
The line on every poster, finished by a place · in the open fields, in the forest, over the ocean
Outdoor
The bricks don’t fit on the poster.
Three 6 × 3 m posters, one small joy each, drawn in pencil on a plain white sheet. Then the bricks take over and break out past the frame: a butterfly’s wing, an elephant’s head, a dolphin leaping over the top of the board. From the road the drawing reads first, and the bricks are what people remember.



The film
The pencil breaks. The bricks take over.
The 30-second film tells the idea in one move. A child fills a page with flowers until the pencil breaks. Then hands reach in with bricks: petals click into place, stems grow from yellow plates, a sun comes up, and a bee and a butterfly fly through the garden. At the end the bricks build the line itself.

The sound follows the same story: the scratch of the pencil, the crack when it breaks, then the click of every brick and the garden waking up around it.
Social
Every child’s small joy, built and named.
Online, the campaign asks families to share their child’s small joy. Each one comes back as a two-slide post: the child’s name spelled out in loose bricks, then the joy itself, built brick by brick in a short loop. Carla loves roses. Jose loves monkeys.

Carla · slide 1
Carla · slide 2

Jose · slide 1
Jose · slide 2
On the street
Bricks where nobody expects them.
Guerrilla pieces take the same small joys into the city, onto things people pass every day without looking. A jungle climbs a portico column. A monkey swings from a bike rack. Flowers pour out of a drinking fountain instead of water. Each one is a reason to stop and take a photo, and every photo carries the campaign a little further.
Need an idea that works on a billboard and a phone?
Brand identity, campaigns and motion. Based in Florence, working wherever the brief is.


